The art of writing by hand

It’s been a severe limitation in my paper-craft journey that I truly, passionately hate my handwriting.  Whether block letters or script, my writing has always looked (to my eye) crabbed at best and sloppy at worst.   

The best I can say about it is that I think it’s legible, I’ve never had anyone comment that they couldn’t read it.  But not at all beautiful.  I’ve even had it suggested that perhaps I was really meant to be left-handed because my handwriting is so lousy.  I do have several reasons to believe that I was born to be ambidextrous, but the fact is that I learned most skills right-handed so the left hand just doesn’t have the fine motor practice for me to particularly want to train it in skills that the right hand already performs adequately.

While I’m not one of those who lament that no one learns cursive in schools, I do think it’s a valuable skill for many artistic reasons.  How can I make a beautifully titled page or do journaling that I’ll want to look back on if I can’t write beautifully?  I also adore the look of the recently-launched Ali Edwards subscription stamp club, but they seem pricey to me (especially if you also add the cost of her associated monthly Story Kit, which I want too), and what I really love about her stamps is that the style of writing on them is so juicy and vibrant.  What if I could write like that?  I could save a lot of money and a lot of fuss just by being able to write titles in a style that I like.  Not to mention the joy of being able to title things with my own words rather than what some other artist put on a stamp.  My story = my words, right?

I recently read that “there are a surprising number of people who do wish their handwriting was better”, from an article extolling the virtues of good penmanship from The Art of Manliness, (which, as a disclaimer, is a strange website and I can’t claim to understand or have an opinion on it’s point of view, I just enjoyed the article about cursive).  It’s nice to know that I’m not alone in my wish to write more beautifully.  I have noticed this theme in real life as well, as many people comment on the typewriter in my office (we have required paper triplicate forms, I hate my handwriting, ergo typewriter), my response about my hated handwriting more often than not elicits a comment about the visitor’s own dislike for their handwriting.

I won’t belabor the history and practice of script-style writing versus block lettering versus machine-printing, there are a lot of great resources on the web to tell you about the evolution from Spencerian to Palmer to D’Nealian (including the article mentioned above).  What really jumps out at me is that the trend that was in place when I was a child was to make the cursive easier to learn at the expense of beauty.  I’m not faulting the schooling practice, and arguably the cursive form was already quite redundant and useless by the time I reached adulthood.  I’ve only ever used it to write checks after the grade-school learning process, and checks are nearly outmoded by electronic billing.  But maybe if the focus were on beautiful penmanship, a generation of now-adults wouldn’t hate their handwriting.  I have a feeling that beautiful cursive leads to better block letters, too.

So in the last couple of years since I’ve taken up paper crafts, I’ve felt increasingly convinced that I need to re-teach myself writing, both script and better block lettering.  I adore typography, and I have some artistic hand skills, so why can’t I work on perfecting some hand-drawn letter forms?

For a recent pocket scrapbook page, I even went so far as to seek out gorgeous handwriting-like fonts, learn how to use Inkscape since I no longer have access to Illustrator (a vector-based drawing program good for formatting type blocks with more flexibility than word-processor programs), set up a pocket-card sized template, typed up my journaling and titles, printed them onto transparency film, cut them to fit photo-pockets…. and all so I could avoid putting my ugly handwriting directly onto my pretty paper title and journal cards in my scrapbook.  The technique turned out beautifully, but I have to say I’m rather daunted by doing that process again.  And it also looks a touch impersonal.  I don’t think I can avoid it much longer, I’m a hand-craft kind of person, so I really need to work on my handwriting.

And to do this, I need practice.  

Some resources for writing practice workbooks:

Peterson Handwriting

Donna Young’s Cursive Handwriting

  • The Donna Young website also includes Free Printable Handwriting Paper including the 1/4″ size that might be suitable for adults trying to improve their script writing

I’m also eagerly awaiting some Spencerian copy books, which I hope to review in a later post.